Liturgy I: Omen

Discuss your understanding of the Omen.

Divination has been a central part of Pagan religious practice since the dawn of time.  It is therefore fitting that a reading of the omens was a central aspect of RDNA ritual and was carried forward into Our Druidry.  Central to an understanding of the Omen is a belief that worship is two way; we honour the Kindred and in return we expect something back.  The taking of the Omen is the means by which we determine whether the Gods have deemed our offerings to be acceptable to them and what they are willing to provide to us in return.  Additionally, the omen taking may be used to learn other details that the Gods would have us know beyond just what blessings they might bestow upon us.

Liturgy 1: Sacrifice

Note:  Considering the importance of this subject, I was rather surprised that ADF only wanted 100 words for this essay.  Mine clocks in at 183 and could have been much longer.  One thing that really got me thinking during this essay was the idea of sacrifice = entering the sacred.  I’ve always felt that ritual is a journey from the mundane to the sacred; if true, this means that ritual is essentially the act of sacrificing oneself.  I’m sure that I’m not the first person to consider this concept, but it really made me go hmmmm.

Discuss your understanding of Sacrifice, and its place in ADF liturgy.


My understanding of sacrifice is primarily based on two concepts.  The first concept is that the terms sacred and sacrifice are inseparable; the sacred is something that is removed from the mundane world, and to sacrifice something is to move it from the mundane to the sacred.  The object thus sacrificed may not be physically destroyed or removed, but it no longer has a place in the mundane world; a sacrificed tool may no longer be employed as a tool, for instance.

The second concept is that of hospitality and reciprocity so common to many Indo-European speaking peoples; the notion so eloquently captured in the Latin do ut des – ‘I give that you may give’.  In other words, through the act of sacrifice we may give to the Gods in the expectations that our offerings will be returned in kind.

Sacrifice is a central element of ADF liturgy; the Core Order of Ritual provides many opportunities for making offerings and culminates in a “key offering” and “prayer of sacrifice”, after which we anticipate the Kindred to return our sacrifice with their blessings.

Indo-European Studies 1: the La Tène culture

Choose one Indo-European culture and describe briefly the influences that have shaped it and distinguish it from other Indo-European derived cultures. Examples include migration, contact with other cultures, changes in religion, language, and political factors. Is there any sense in which this culture can be said to have stopped being an Indo-European culture?

The Merriam-Webster dictionary defines ‘culture’ as: the customary beliefs, social forms, and material traits of a racial, religious, or social group; also : the characteristic features of everyday existence (as diversions or a way of life} shared by people in a place or time.  As a result, any discussion of ‘a culture’ needs to be firmly rooted in a particular location and historical period.

As such, we shall consider here the Celts of the La Tène culture from approximately 450 BCE until the Roman conquest of Britannia. Many influences helped to shape this culture, the most prominent possibly being the fact that from the La Tène ‘homeland’ in modern Switzerland, the culture spread far and wide over river-based trade routes (Chadwick, 24), from Iberia to Ireland and northern Italy and even into Asia Minor. This wide disbursement and subsequent supplanting and merging with numerous substrate cultures over a vast territory created a diaspora of localized versions of the culture.  The immediate result of this was the proliferation of individual Celtic tribes as we know from Caesar’s descriptions.

The far flung trading nature of the La Tène culture also caused it to come into contact with many other cultures including the Greeks, Etruscans, Thracians, and Scythians.  Additionally, the Celts would also have come into contact and conflict with the Germanic tribes, who eventually pushed the Celts out of central Europe.  According to Chadwick, these contacts heavily influenced both the Celtic political system (26) and Celtic art (216).   Serith further describes how these contacts may also have influenced Celtic religion, using the depiction of Cernunnos on the Gundestrup cauldron as an example.

However, despite their contact with various literate neighbours, the Celts do not seem to have taken to writing during this period.  As a result their language, already likely highly regionalized by the disperse nature of the culture, would have evolved steadily.  The general consensus amongst scholars is now that the ‘Q’ form of the language was the older, original form.  As such it continued on in in the more remote areas of the Celtic lands, including Iberia and Ireland, while the ‘P’ form took hold on the continent and from there spread to Britain and Wales (Chadwick, 28).

Despite their dominance of the continent during the third and fourth centuries BCE, the Celts found themselves first squeezed out of their former homeland in central Europe by Germanic tribes and then under assault by the Romans.  The La Tène culture is considered to have come to an end with the Roman conquest and subsequent Latinization of Hispania, Gaul, and Britannia.  Insofar as it makes sense to ask whether it ceased to be an Indo-European culture the answer, however, would be no; the only definitive characteristic of an Indo-European culture is their language, and the people of the La Tène culture simply left off speaking one such language, Celtic, for another, Latin.

Amanda Palmer and *ghosti

Some time ago, I wrote about hospitality and I asked:

given that central to the notion of *ghosti / xenia was the ability to create a ritualized relationship between strangers for reasons that mostly no longer exist in the modern west, what does hospitality / *ghosti / xenia mean today as a virtue for day to day living?

This TED talk video has been making the rounds recently on the social media circuits and in watching it I suddenly got an answer to my question; I don’t think she is aware of it, but Amanda is perfectly describing the *ghosti relationship, the ability to ritually connect to strangers.  It’s quite wonderful.

Liturgy 1: Key Offerings

Discuss how one would choose the focus (or focuses) for the Key Offerings.

The Key Offerings phase is in many ways the heart of ADF ritual; it is what brings purpose to the High Day (or other occasion).  It is also often the biggest challenge for the liturgist, for in many cases the choices for a High Day focus are not straightforward.  For Celtic hearth cultures, honouring Brigid at Imbolc and Lugh at Lughnasadh are simple enough, but beyond these the choices are not so easy.

Fortunately, there are few “wrong” choices which opens up a world of possibilities.  The key is to find some aspect of the High Day which you are interested in exploring and working from there.  If you are planning to include a Working within the ritual you will want to ensure that the Deities of the Occasion chosen are compatible with your purpose.